performed by JACK quartet
live sound by Christopher Botta
It's kind of a network of pathways through different harmonies at different times.
A white note can go directly right or follow an arrow, and a black note has to follow an arrow.
I wanted to explore the vertical intervals within each measure and the horizontal dyads articulated as double stops or melodic intervals, but it's fairly open. This score could be for any set of instruments, and I may make other realizations of the structure at some point.